Old Bailey

Taking teaching outside the classroom: crime and punishment in situ

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On Monday this week I removed my second-year class on crime and punishment from the confines of a Waterside campus classroom (lovely as they are) and transported it to a real life courthouse in the centre of Northampton.

Northampton’s Sessions House was built after the fire that destroyed much of the town in 1675. This gave the local authorities the opportunity to create a purpose-built space to hold the biannual county assizes and the quarterly sessions of the peace. There are two courts in the complex – one for criminal and one for civil cases – both have had some significant modernization since the late 1700s but plenty of the original courtrooms have survived.

Below the courts are holding cells, and it is still possible to access the ‘walk of shame’ that would have conveyed commended prisoners to the gallows that was situated towards the rear of the complex. Still possible, that is, so long as you have a friendly and well-informed guide like Dr Alan Clarke, our friendly expert in local English history.

About 30 history undergraduates take my level 5 module (HIS2010) at the University of Northampton and in last week’s class we had looked at the nature of the court trial in the eighteenth century, at the role of the judge and juries, and considered the importance of architecture in the process of the administration of ‘justice’.

This is quite limited in a modern classroom when your key resources are contemporary written accounts and images like this one (of the Old Bailey in the early 1800s).

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My students have just embarked on a project that will see them reenact a real trial using the published records of London’s Central Criminal Court in the past and so I was keen to let them get a sense of what a trial might have been like. I rather enjoy the idea of ‘experiencing’ history where possible, even if (thanks goodness) I can’t begin to experience the fear of being tried for an offence for which I might pay with my life if convicted.

Alan took us on a tour of the court complex – the cells (where evidence of their recently past can be seen in the surviving graffiti from the 1970s and 1980s), the judge’s chambers, and the nineteenth-century gaol block.

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He also described the interior of both courts, pointing out and explaining the symbolism woven into the intricate plaster work (the work of Edward Goodge). Over the judge’s chair in the criminal court are emblems representing truth, justice, material wealth (and its opposite), as well as the image of the devil complete with a tongue which supposedly wags when someone tells a lie in court.

Having settled the class back down after our tour I now gave individuals roles to play as we reconstructed two short cases from the Old Bailey Proceedings in the 1700s. The first was the trial of a domestic servant who had given birth in secret and was accused of ‘destroying’ her illegitimate child. The trial took hardly any time at all to find her guilty and to condemn her death and anatomization. The evidence was limited, the few witnesses that spoke up for her were ineffectual, and this made a deep impression on the class as we unpacked it afterwards.

The second case was no less brutal; another young woman, this time accused of killing man because he called her ‘a whore’. Despite the evidence of intent being almost nonexistent and contentious (the knife she used had a rounded blade, hardly likely to have inflicted the wounds described by the witnesses that spoke against her) she too was convicted and sentenced to hang.

Both cases revealed that respectability and class played a more important role in the eighteenth-century courtroom than evidence did. But more than this the very act of voicing the words spoken in a real court space helped us understand how the various actors were perceived. There is a very different perspective sitting (as the student playing the judge did) at the apex of the court looking down on everyone else, than there is looking up from the dock, knowing that behind you is a staircase (merely ladder when the court was built) to the dark cells below.

In January these students will be back in court so that they can put on their own assessed trials. They have 15-20 minutes to reenact a case of their choosing before myself and a colleague will discuss what they have learnt from the process and how it has shaped their understanding the criminal justice system of the past.

Of course, we can’t possibly experience history in the way that people did in the past: there were plenty of giggles as students placed in the dock or ‘locked’ into a cell but engaging with history in this way does bring it alive. Taking students out of the comfort of a classroom changes perspectives, mine as well as theirs, and I think we ought to do it more often.

Drew Gray (Subject lead, Humanities)

Putting Undergraduates on Trial (this time with feelings)

For several years now I’ve been putting undergraduates on trial. Before you get excited I only mean as an exercise in understanding the criminal trial in the past, I don’t lock them up or send them to Botany Bay!

Each year I set an assessment which involves groups of 2nd year History and Criminology students at the University of Northampton working together to recreate a trial from among the thousands available via the Old Bailey Online website. Students have to think about how the transcript they are provided with by the site should be adapted to work in a 15-20 minute presentation and are then asked to reflect on what they have learned (about the crime, the process and the wider justice system of the 1700s or 1800s). Finally each of them will submit a short written essay which explores the context of their chosen case in more detail.*

The presentation element has always taken place outside of the classroom. At Northampton this usually involved taking the UGs to the university’s Moot Room on Park campus where the police and law students practised in a room set up rather like a modern family court. Since we moved this summer to the new Waterside campus I’ve lost this resource and was wondering whether I might be able to utilise a more appropriate venue instead.

With the help of Jane Bunce and her team at Northampton we secured the use of the Sessions House, one of England’s most authentic surviving courtrooms. Sessions House has two courts, one for civil cases and the other for criminal ones. The courts are situated within the Northamptonshire County Council offices in town and comprise courts, eighteenth and nineteenth century prison buildings and extant cells below.

On Thursday last I took my current second years into town where we were given a tour of the premises by Alan Clarke, a local historian and expert on Sessions House and his architectural significance. He showed us where the last public hanging took place, explained the layout of the two courts (including the wagging tongue above the criminal court) and the students explored the graffiti in the dingy cells underground.

Then we recreated a trial from the Old Bailey archives.

The case I chose was that of Robert Campbell, Antis Horsford and Henry Stroud for the murder of Daniel Clarke in April 1771. The case was well known in the late eighteenth century and arise out of the ongoing disputes between the silk weavers of Spitalfields (in London’s East End) and their masters. As weavers took direct action to defend their livelihoods (which involved cutting silk out of looms and intimidating those who worked silk under the price the collective had set for it) the state imposed heavy penalties on offenders.

Weavers were arrested, put on trial, condemned and executed, mostly as a result of informers being pressured or bribed to give evidence. The community closed ranks and one commentator described Spitalfields and Bethnal Green as having been ‘rendered almost ungovernable’. Daniel Clarke had been ‘an evidence’ against William Eastman and William Horsford, two weavers that had been executed in early 1770 for their part in the troubles. Now, in April 1771 Clarke was to face the consequences of his actions.

The Gentleman’s Magazine reported what happened on a wintry day in the East End:

‘Yesterday, between four and five o’clock a mob assembled in a field bear Bethnal Green, consisting of upwards of two thousand, when they sat upon one Clark, a Pattern Drawer, who was the principal evidence against the two Cutters that were executed at BG some time since; they continued pelting him with their brickbats, & for three hours, which laid his skull entirely open. Never did any poor mortal suffer more than he did; he begged of them several times to shoot him; but they kept stoning him till he died in the greatest agonies’.

It took the authorities several weeks to take anybody into custody. Once again the magistrates met a wall of silence which was only broken when two men decided to take up the offer of a large reward and give the authorities some names.

As a result Antis Horsford (the widow of the executed William), Robert Campbell (a weaver down on his luck and trying to escape to America), and a gardener named Henry Stroud (who was married to the sister of the man hanged with Horsford, William Eastman) were put on trial in July 1771.

In our version the students took on the roles of prosecution and defence barristers, witnesses, judge and jury. It took us about two hours to read though the case. In reality the trial lasted ‘from nine in the morning till eight at night, after which the court adjourned to dine’ (as the Gentleman’s Magazine tells us). They found Antis Horsford and Bob Campbell not guilty and recommended Stroud to mercy as they felt the community was responsible for Clarke’s death, no one individual.

In reality Antis was acquitted but the men were convicted and ‘turned off’ in public close to the scene of the crime near Brick Lane a couple of days afterwards. The weaver’s dispute ground to a halt after that and the government acted to protect the industry from foreign competition. It was too little, to late, silk weaving in Spitalfields was in terminal decline; although it staggered on into the next century, weavers remained poor and got poorer.

The state had needed scapegoats for the wilful destruction of property and the communal murder of its agent of ‘justice’ (Clarke). I suspect all three were innocent to some degree, and Stroud even helped drag Clarke from the pond where the ‘mob’ were stoning him to death. I gave this story to my mother a few years ago, as fodder for her creative writing course. This year she has published her version of events (entitled ‘Rough Justice’) which pictures a happier future for Henry Stroud.

I find that the process of thinking through a case like this by acting it out helps us understand what is going on. Some of the language is strange but speaking it aloud helps it became intelligible. The courtroom is a strange and symbolic place, not easily recreated in our heads or in a sterile classroom. If you stand in the dock or the witness box, or address a court from the judge’s seat you can feel the difference (as Tim Hitchcock so effectively explained last year in Liverpool at the launch of the Digital Panopticon).

This year (or rather next, in early 2019) my students will – for the very first time – perform their own Old Bailey reconstructions in an eighteenth-century courtroom. Sessions House will come alive again as the voices of the Old Bailey Proceedings are given oxygen by the breath of Northampton undergraduates. I will sit in the judges’ chair and ‘judge’ how effective they are.

Drew Gray, Subject Lead in History, University of Northampton

*my 2016 textbook has an online section which details this exercise and others that might be of use to students and tutors. You can find that here

‘f****** untouchable’?: the downfall of the Kray Twins in May 1968

On the 8 May 1968 a series of dawn raids were carried out by ‘more than 100’ Metropolitan Police detectives, led by DS Leonard ‘Nipper’ Read. The target of these raids was organized criminal gang that surrounded two East End gangsters that have passed into London folklore and garnered more column inches, True Crime books and documentaries, than almost any other ‘villains’ in the modern age.

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Ronnie and Reggie Kray are the archetypal British gangsters, up there with American ‘anti-heroes’ like Al ‘Scarface’ Capone, Johnny Torrio, and ‘Lucky’ Luciano. Two blockbuster biopics have presented the ‘Twins’ as violent and troubled rogues whose criminality and ruthlessness is still tempered with some sense that were not ‘as bad’ as modern criminals are today. They only hurt ‘their own’, and they were nice to their mum (Violet Kray), so the story goes, and they didn’t deal in drugs.

Let’s start with some of the facts about Ronnie and Reggie before considering quite why it is we remain so fascinated with them 50 years after their arrest. Born in October 1933 the Twins grew up in the East End of London, going to school in Brick Lane. They were very much a product of the mixed demography of Whitechapel and Spitalfields, with English, Jewish, Irish and Romani Gypsy ancestors. The East End was somewhere you ‘survived’ more than lived in the 1930s. This was an area long associated with poverty, overcrowding, immigration, and crime.

The Twins became involved with violence and street gangs very early in their lives and even a spell of national service in 1952 did little to tame them. The bought a snooker hall in Mile End and by the end of the 1950s were well-established local gangsters with a reputation for violence. But the boys were not content to be one of several gangsters they wanted to be THE firm in London.

As the post war austerity gave way to the ‘swinging sixties’ Ronnie and Reggie became part of the London ‘scene’. Their West End nightclub attracted the stars of the day many of whom enjoyed the infamy of being pictured with the Krays. For the Twins themselves their celebrity status gave them some much needed ‘respectability’ within London society.

It is hardly surprising that Ronnie later wrote that at the time ‘me and my brother ruled London. We were f****** untouchable’.

Of course such high profile behaviour brought the Twins into the cross hairs of the police, especially when their rivalries with other London gangsters (like the Richardson brothers in the south) or their own internal and personal issues ended in murders. On 9 March 1966 Ronnie Kray shot dead a member of the Richardson gang as he sat at the bar in the Blind Beggar pub on Whitechapel High Street. George Cornell’s murder was a very public act, demonstrating Ronnie’s belief that he was ‘untouchable’. He wasn’t.

Then in October 1867 Reggie, egged on by his twin, murdered Jack ‘the hat’ Mcvitie, a member of the Kray’s criminal organization who had supposedly tried to swindle them. From this point on the Twins were wanted men and it was only a matter of time before the police managed to arrest and charge them.

In March 1969, after a trial at the Old Bailey, Justice Stevenson famously declared that ‘society has earned a rest from your activities’ and sent the pair to prison for life. The next time they saw the outside world was in 1982 when they attended their mother’s funeral. By that time Ronnie was in Broadmoor, having been certified ‘insane’ in 1979. Ronnie died in 1995. His twin was interned in Maidstone Prison until 1997 when he began a series of moves before his death in 2000.

Most people have heard of the Krays and have seen that iconic David Bailey photograph. They rose to prominence in the 1960s and their celebrity status has perhaps helped to mask the reality that these were two very brutal individuals. Both of the recent film biopics present the violence (and Ronnie’s mental illness) but temper it all with the prevailing notion that they were somehow ‘decent’ working class lads simply trying to survive in a harsh world. They loved their mum and they never forgot where they came from. This is a very similar narrative to the one that surrounds the rise of the Mafia firms in New York and Chicago after the First World War.

We have popular culture and the rise of the movie to thank for this. Some of the most watched films of the 1930s (Hollywood’s golden age) era featured gangsters at home and abroad, and the image of the suited criminal complete with ‘Tommy’ gun, homburg hat and the obligatory ‘dolly bird’ became synonymous with ‘cool’.

Perhaps because the early gangsters traded in ‘bootlegged’ alcohol (banned by the US government in one of the worst decisions it ever made) and then desperately tried to reinvent their operations as legitimate businesses, we don’t see them for what they really were: ruthless, murdering, criminal organizations. It was when they thumbed their noses at the authorities or their activities impacted ordinary citizens that the authorities felt they had no choice but to hunt them down.

The Krays (much more so than the Richardsons it seems) were OUR gangsters. They showed that we too could have some ‘proper’ criminals to rival the Mafiosi across the pond. In recent years the BBC have revived the memory of Birmingham’s Peaky Blindersand transformed their relatively mundane criminal careers, turning them into gangsters that were able to give the Mafia a run for their money. The ‘Blinders have become anti-heroes to be looked up to which is exactly how the Twins wanted to be seen: as respectable businessmen who only used violence when it was absolutely necessary.

Like all True Crime myths, the idea that the Krays were ‘respectable’, ‘decent’ or eschewed violence expect when it was ‘absolutely necessary’ is a fiction and it is the job of History and Criminology to keep reminding us of that.

Drew Gray, Subject Lead History, University of Northampton